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Pixar’s return to movie theaters represents an additional milestone for the animation powerhouse: “Lightyear” is the studio’s first film shot in IMAX. (A two-week “Lightyear” run begins in IMAX theaters this weekend.) It’s a theatrical spectacle befitting the vision of director Angus MacLane, who pictured the Buzz Lightyear origin story as a ’70s blockbuster movie that charged the imagination of “Toy Story” kid Andy “the way ‘Star Wars’ got me excited.”
In “Lightyear,” fearless Space Ranger Buzz (Chris Evans) strands his Star Command crew on an uncharted planet. The film contains 30 minutes of IMAX animation, thanks to Pixar developing a virtual IMAX camera system (including a large sensor equivalent to 65mm and spherical lenses) to shoot the sequences at full frame 1.43:1. Meanwhile, the rest of the movie was simultaneously shot in virtual anamorphic 2.39:1 by “center cropping” the image. This widescreen presentation emulates the way ’70s
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Pixar’s return to movie theaters represents an additional milestone for the animation powerhouse: “Lightyear” is the studio’s first film shot in IMAX. (A two-week “Lightyear” run begins in IMAX theaters this weekend.) It’s a theatrical spectacle befitting the vision of director Angus MacLane, who pictured the Buzz Lightyear origin story as a ’70s blockbuster movie that charged the imagination of “Toy Story” kid Andy “the way ‘Star Wars’ got me excited.”
In “Lightyear,” fearless Space Ranger Buzz (Chris Evans) strands his Star Command crew on an uncharted planet. The film contains 30 minutes of IMAX animation, thanks to Pixar developing a virtual IMAX camera system (including a large sensor equivalent to 65mm and spherical lenses) to shoot the sequences at full frame 1.43:1. Meanwhile, the rest of the movie was simultaneously shot in virtual anamorphic 2.39:1 by “center cropping” the image. This widescreen presentation emulates the way ’70s
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